The Met Gala has always been fashion’s most theatrical stage, but in 2026, it was the jewellery that bridged the gap between global glamour and Indian heritage. Natural diamonds commanded the red carpet with quiet authority, as Indian craftsmanship and heirloom treasures took centre stage alongside the world’s most iconic names.
From the royal Polki of Jaipur and the Ambani family’s historic stones to record-setting Chopard and Tiffany creations, the evening celebrated India’s growing influence on the world stage. It wasn’t just a display of staggering beauty; it was a testament to the earth’s most enduring treasures being reimagined by a new generation. Here are the standout natural diamond moments, where heritage met high fashion, that you need to see.
Isha M. Ambani Wore Lorraine Schwartz and Her Family’s Heirloom Jewellery to the Met Gala 2026
Indian heiress Isha Ambani dropped jaws and turned heads at the Met Gala 2026, wearing the most incredible diamond jewellery. She wore a custom-made Lorraine Schwartz choker, featuring massive natural diamonds and a 50-carat Colombian emerald.
With three more rows of huge round-cut diamonds, Ambani wore her own family’s heirloom diamonds. She sported shoulder-scraping diamond chandelier earrings, an assortment of diamond cocktail rings, and a diamond-and-emerald brooch pinned to her bust. She said on the red carpet that she was wearing a “blouse full of my mother’s jewellery.”
Karan Johar’s Met Gala 2026 debut was inspired by Raja Ravi Varma and took over 5,600 hours to create.
Karan Johar, one of India’s most celebrated filmmakers, would look at the Met Gala steps and see an opportunity to tell another story. “In every film I’ve made, in every frame I’ve been responsible for, the question has always been: what is this saying? What feeling is it evoking?
His final look, inspired by Raja Ravi Varma, was designed by Manish Malhotra and styled by Eka Lakhani, carries Varma’s imagery across a hand-painted ensemble, with zardozi borders, three-dimensional pillars, lotuses and swans, and a hand-painted jacket lining. “Raja Ravi Varma gave India its most enduring images of itself,” Johar says. “The artisans who built this ensemble gave those images new life. And I get to wear that. That feels very much like me, the person who has always believed that how you tell a story matters as much as the story itself.”
Every motif has been painted entirely by hand. What you see is the work of a team of artisans who spent 5,600 hours over 86 days bringing it to life. The embroidery has been treated with acrylic and oil finishes, varnished, so the textile holds the same glow as an actual painting. The borders are built on rubberised bases layered with zardozi, giving them a sculptural, raised quality like paint thickly laid onto canvas. Pillars, lotuses and swans emerge in three dimensions. Even the lining of the jacket has been hand-painted, not something most people will ever see, but as Johar notes, “it is there.”
Ananya Birla Wore Mehta & Sons Jewellery to the Met Gala 2026
Stepping onto the red carpet for her Met Gala debut, Ananya Birla wore a custom Robert Wun creation, paired with a sculptural stainless-steel mask designed by artist Subodh Gupta.
She accessorised with statement diamond jewellery from Mehta & Sons, layered with personal pieces that added just the right amount of sparkle. The look styled by Rhea Kapoor was kept deliberately minimal in hair and makeup to allow the sculptural mask and diamonds to take centre stage.
Princess Gauravi Kumari Wore Heritage Jaipur Diamonds to the Met Gala 2026
For her Met Gala 2026 debut, Princess Gauravi Kumari’s gown by Prabal Gurung was crafted using an original pink chiffon sari once worn by her grandmother, Maharani Gayatri Devi.
Layered pearl necklaces drawn from The Gem Palace, Jaipur cascaded down the torso, recalling Maharani Gayatri Devi’s signature aesthetic. A kundan choker with a statement pendant anchored the look, complemented by heritage bangles and carefully chosen rings. The pearls were paired with uncut diamonds and rubies and finished with ear chains and stacked bangles for a regal final touch.
Natasha Poonawalla Wore Diamond Drop Earrings to the Met Gala 2026
Natasha Poonawalla completed her Met Gala 2026 look, a sculpted orchid by Marc Quinn paired with a Dolce & Gabbana gown with a striking mismatched pair of shoulder-grazing diamond drop earrings: a single round brilliant on one side, and a cascading chandelier of round, emerald-cut, heart-shaped and pear-cut diamonds on the other proving that diamonds remain the most powerful punctuation on fashion’s biggest night.
Sawai Padmanabh Singh Wore Heritage Jaipur Polki & Jadau to the Met Gala 2026
For his Met Gala 2026 debut, the Maharaja of Jaipur, Sawai Padmanabh Singh fondly known as Pacho turned to Jaipur’s centuries-old jewellery traditions to complete his look.
The jewellery framed a deeply personal ensemble: a Phulghar coat developed with Prabal Gurung and realised in Jaipur by Yash and Ashima Tholia and their team constructed in deep velvet, quilted with cotton, and completed over more than 600 hours of aari and zardozi embroidery, finished with dabka and resham. At the back, a mirror sun motif drawn from the Sri Niwas at the City Palace ties the look to Pacho’s Suryavanshi lineage, revealing itself only when he turns.
Commenting on the Indian looks at the Met Gala –
Sushma Chhajer, Founder, SHRUTI SUSHMA said, “At the Met Gala this year, what stood out was not just the presence of natural diamonds, but the quiet authority they carried. Natural diamonds have always been a universal language of luxury, but when interpreted through an Indian design lens, they gain a deeper narrative- one rooted in heritage, emotion, and individuality.
This was evident in how Isha Ambani approached jewellery as legacy in motion, layering heirlooms with couture, while Natasha Poonawalla leaned into bold diamond statements that led the entire look. Gauravi Kumari redefined pearls with a more directional, layered approach, and Sudha Reddy treated jewellery as an extension of the garment itself, draping it as form and structure.
Indian craftsmanship brings an inherent intimacy to jewellery, every piece feels lived-in, almost like an heirloom from the moment it is created. What we’re seeing now is a shift where heirlooms are no longer about the past alone, but about continuity, pieces that hold meaning today and evolve with the wearer.
This moment signals something significant: Indian design is no longer adapting to the global stage, it is defining it, with natural diamonds at the centre of that expression.”
Vishal Kothari, Founder & Designer, VAK commented, “The influence of Indian design language at the Met Gala signals a broader return to heritage and craftsmanship. Natural diamonds, which have long been part of India’s cultural identity, are now being reinterpreted in a more global, contemporary context.
This shift will likely reflect back into the Indian market driving a greater appreciation for design-led, individual expressions of natural diamonds.”






